Filtering by Category: "Glitch"

Disquiet review of "Too Late Distracted"

Added on by Cole Pierce.

SKITTERY SOUNDSCAPE MP3

Cole Pierce refers to his track “Too Late Distracted” as a “textured electronic soundscape exploring a structure in flux,” and he goes a step further by employing the word “skittery” to qualify the effort.

The work in question is reportedly derived from a collaboration withTyler Carter, who like Pierce houses his music at the great community site soundcloud.com. Pierce is at soundcloud.com/colepierce, Carter at soundcloud.com/tyler-carter, and the two of them apparently can make beautiful jittery ambience (or skittery soundscapes) together.

Too late distracted by colepierce

Like many solid efforts in abstraction, the piece includes its own decoder ring. While it eventually expands into a spacious if serrated sound field, it opens with the sort of all-rough-edges effect that Pierce’s chosen adjective, “skittery,” suggests. The introduction’s distinction from the majority of the track is plainly evident in the waveform that appears in the SoundCloud player (see above); it’s the short, bottle-brush tail that wags the music’s dog.

That initial segment is all stop’n’start glitch noise, and it sets down the textural equivalent of a downbeat before Pierce ventures into more quasi-ethereal realms. While the work does achieve a certain level of cloudy haze, it’s still marked throughout by the stuttered, broken-glass vibe of its opening salvo.

Original track at soundcloud.com/colepierce. More on Pierce atcolepierce.com. He was previously featured on this site in mid-October of last year (disquiet.com).

By Marc Weidenbaum

Original Post

Fishing, 2010

Added on by Cole Pierce.


Fishing, 2010
Video - Cole Pierce
Audio - Kendrick Shackleford and Cole Pierce


Fishing was created from footage captured with an underwater video camera attached to fishing line and controlled by a fishing pole in the middle of Lake Hayward, WI. Governed by chance, the video drifts back and forth between chaos and order. The murky green monochrome and shifting pattern of bubbles is a sublime landscape that occasionally gets interrupted by the reality of a school of fish swimming by. The soundtrack is equally alienating, which is an ambient glitch filled soundscape of processed guitar, ethereal textures and a flux of structures created by Cole Pierce with help from Kendrick Shackleford and Tyler Carter.

Audio

Added on by Cole Pierce.
Too late distracted by colepierce

textured soundscape, structure in flux, based on a collaboration with Tyler Carter. 2010
Guitar by Kendrick Shackleford, electronic manipulation by Cole Pierce. 2010

Manipulated music box samples, NYE field recording. 2010


I am currently editing a video installation, comprised of footage of an underwater video camera tied to the end of a fishing pole. These tracks will be part of the soundtrack.

Upcoming Show, Per Second Project

Added on by Cole Pierce.

Friends and colleagues,

This weekend we are exhibiting new work in a show titled Per Second taking place in a vacant storefront in Logan Square as part of the Milwaukee Ave Arts Festival. Cole Pierce presents a two channel video installation in collaboration with Dustin Camilleri, who created a six channel sound piece in response to one of the videos. Roxane Hopper presents a single channel video called Echo Amphitheater, and an installation composed of photographs and a neon wall sculpture.

Please join us for the opening reception on Friday, July 31st from 6 to 10pm.

Location:
2827 N Milwaukee Ave.
Chicago, IL

When:
July 31st - 6 pm - 10 pm *Reception
August 1st - Noon - 10 pm
August 2nd - Noon - 8 pm

Check out the Milwaukee Avenue Arts Festival website for the schedule of events and view the map of participating galleries.

Facebook event invitation

Genre Study: Glitch Ambient

Added on by Cole Pierce.

 
Bin 3, Part 1 (17 min)

Ijspret 1              2:26 Machinefabriek
Faithful Friend 4:02 The Humble Bee
On Waiting        8:44 Greg Haines & Wouter van Veldhoven
Variation 2        5:09 Molly Berg + Stephen Vitiello

Download

This is what I refer to as crafty ambient music, because it is obvious that instrumental craftmanship is emphasized just as much as production techniques. Aligned more with glitch, this ambient music does not rely on spacial harmonics and extremely long tones but focuses on specific textures; balancing field recordings, post production noodling and instrumental works into a carefully composed harmony.